The Big Draw is the world’s biggest celebration of drawing. It has grown into a month-long festival throughout October all over the UK. In this blogpost we celebrate those talented people without whom books would not be the same.
“Yes, that’s right, children, the illustrator draws the pictures.”
How often is that heard in a primary classroom? Is that all the illustrator does?
Here at Coventry English HQ we know there’s more to it than that. Good illustrators take words and bring them to visual life, adding their own special idiosyncrasies and quirks. We’ve chosen a few of our favourites to share with you.
Picture books transport us to worlds beyond our imagination. We love illustrators like Satoshi Kitamura, who is able to capture emotions seamlessly in colour and with pace. In Angry Arthur the whirlwind of destruction throws you across the page, while in Millie’s Marvellous Hat the riot of colour and detail invites you to sit, look, stay a while and ponder. This is what we want in a book, one that excites emotion and gives us something to think about.
Jeannie Baker‘s books use collage to tell their tales. In Window the story of environmental change is told by looking through the same window over a period of 24 years. Written text is minimal – reserved for birthday cards on the window ledge, vehicle signs and advertising hoardings. Two narratives can be read in this text though: the story of a boy growing up and the story of an environment changing over time. In this text images reign – they tell the story, with words used only to fill in any gaps left by the images.
Christian Birmingham’s illustrations work in a more traditional illustrative manner, of supporting the role of words in telling a story. The Impressionist quality of Birmingham’s style makes his drawings ideal companions for traditional tales and children’s classics. Lavish versions of Sleeping Beauty (retold by Adele Geras) and The Snow Queen (retold by Naomi Lewis) owe much of their allure to the stunning artwork produced by Birmingham, which transports the reader to imagined worlds inhabited by witches, princesses, heroes and magic. Our blogpost To Infinity and Beyond features more on Christian Birmingham.
We love to share picture books with children, but we also know that the adult wants some entertainment too. One of our favourite illustrators is the fabulous Emily Gravett. Her earlier books are particularly good for grown-up giggles, for example Little Mouse’s Big Book of Fears. Children love the story, and adults sharing the book will feel just as entertained, as Emily inventively uses everything from the ‘nibbled’ cover to the back pages and even the publisher information to add to the story. You have to devour every element of the book to get the most out of it, and will want to return again and again to lift flaps and unfold maps. You’ll find something new every time.
In recent years a lot of these picture books have made a long-awaited venture into KS2. Books like Flotsam by David Weisner, Varmints written by Helen Ward and illustrated by Marc Craste, and The Arrival by Shaun Tan, have introduced KS2 children to the world of the beautiful, the unexpected and the strange – visual texts to stimulate thinking and provoke writing. Children move from ‘But there are hardly any words!’ to fascination and real depth of thought.
The amount of thought that goes into an illustration will never be obvious to us readers, and that surely is a measure of its success. How long does it take to choose the right colour, composition, expression? Illustrations don’t just show the author’s narrative but can also interpret their thoughts and feelings. Just think of Michael Rosen’s Sad Book illustrated by Quentin Blake, a masterpiece of empathy. The illustrations hold your hand through the text, giving you more when you need it and leaving it blank when you don’t.
So no, they don’t just draw the pictures.